When
a painting goes well, I get to the end and wonder 'how on earth
did I do that?'. It is this state of 'flow' that inevitably
results in my best work and makes me feel as if I have been
visited by the 'painting fairy'. Sometimes, though, despite
days of work, paintings simply refuse to come together and I
just choose to paint over them. The new work in its place might
be completely different, but it is as if it carries the credit
from its predecessor in terms of surface and texture - and is
usually even better for it.
Click
to view larger images:
November
Marigolds and Crab Apples, St. Ives
610mm x 610mm, acrylic on board
£1500
Newlyn
Houses
610mm x 610mm, acrylic on board
£1500
Autumn
Evening
300mm x 300mm, acrylic and silver leaf on board
£550
Lunch
in Padstow
450mm x 450mm, acrylic and fish & chips box on board
